redacted as tour of modern media environment
A.O. Scott on Brian DePalma’s new movie, “Redacted.”
An unrivaled master of showy cinematic technique, he has made a film whose governing conceit is that it is not a film at all but rather a palimpsest of found video culled from consumer-grade camcorders, surveillance cameras, cellphones and Web sites. (There are also snippets from a French documentary, a mischievous parody complete with portentous music and solemn narration.) “Redacted” takes us on a tour not only of the battlefield, but also of the modern media environment, where no moment goes unrecorded and where everyone is, at least potentially, a filmmaker.
I’m not planning on seeing “Redacted” in the theater for a variety of reasons (“I don’t get out much and I’d rather spend babysitter money on ‘No Country for Old Men’” being the leading contender), but I wish there were way to experience this tour of “the modern media environment” in that actual environment.